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Discuss Samuel Beckett’s handling of identity in his plays Waiting for Godot and Happy Days. The work of Samuel Beckett can be seen to span both the Modernist and Postmodernist paradigms (Bradbury and McFarlane, 1991; Green and LeBihan, 1996), on the one hand being influenced by such canonical Modernist writers as James Joyce and Luigi […]
Contemporary Australian theatre mainly focuses on the reflection of the ‘real’ Australia and communicating to the audience real and modern issues/ideas that respond to the social climate and community. Australian theatre practitioners use various performance styles, techniques and dramatic conventions to help portray their ideas to their audiences and make them feel a particular way […]
Australian Contemporary Theatre is a form of Theatre which addresses the concerns and aspirations of Australian audiences; with the use of diverse and complex characters Australian Contemporary Theatre is able to connect with the audience making them reflect and challenge identities. This is shown clearly in the texts Ruby Moon written by Matt Cameron and […]
Theme/Vision Guan Hanqing’s Snow in Midsummer centers on the idea of social injustice and human suffering particularly the unfair treatment of poor people during the Chinese Golden Era. The play must transcend a great sense of oppression as intended by its playwrights to reflect the dark side of the society they were in, as the […]
Discuss Samuel Beckett’s handling of identity in his plays Waiting for Godot and Happy Days. The work of Samuel Beckett can be seen to span both the Modernist and Postmodernist paradigms (Bradbury and McFarlane, 1991; Green and LeBihan, 1996), on the one hand being influenced by such canonical Modernist writers as James Joyce and Luigi […]
