Artwork Dialogue
Between Robert Smithson’s “Spiral Jetty” 1970 and Francis Alys “The Inexperienced Line” 2004;
it’s Smithson’s “Spiral Jetty” 1970 that I discover to be more practical and interesting. There are a
number of causes that make this earthwork sculpture extra interesting to me. This paper embarks
on confirm the components that make Smithson’s “Spiral Jetty” an excellent piece of labor.
Firstly, Smithson used mud, basalt rocks, in addition to salty rocks to construct the sculpture. It’s
very uncommon for artists to make use of such supplies particularly to construct earthwork sculpture though he
manages to make use of them to supply the masterpiece (Colman, p.231). For that reason, I discover that his
work to be extra partaking and efficient. The art work is 1,500 foot lengthy and 15 foot large. It was
made on the shore of the Nice Salt Lake.
Secondly, the art work has been capable of outlive its creator because it has been in existence since
1970. Subsequently, it’s a mark that can’t be ignored or downplayed because it related to artwork. Thus,
I discover it fascinating and interesting as a consequence of its skill to face out as a site-specific artwork that’s
superior (Loe, p.17). Subsequently, its enchantment to the location is what makes me fee it as more practical
and interesting. Its huge scale, to be extra explicit, makes a press release an it’s laborious to overlook its website
thus making a daring assertion.
Thirdly, his work is extra interesting as he was pushed by the urge to affect a drift away
from mausoleums. He argued towards use of artwork as a way of commodification and
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commercialism (Colman, p.229). Thus, his efforts had been vital in encouraging a real inventive
spirit which he argued ought to be free. Therefore, by means of this piece, he was capable of act as a development
setter and he influenced outside artwork.
In conclusion, each artworks are excellent in their very own rights however I discover Smithson’s
“Spiral Jetty” to be more practical and interesting. His work was a illustration of probably the most
crucial features that I imagine ought to characterize artwork.
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Works Cited
Colman, Felicity. “Speculative Geometry: Robert Smithson’s glass jars, satellites and materials
aesthetics.” Journal of Visible Artwork Apply 15.2-Three (2016): 227-235.
Loe, Hikmet Sidney. The Spiral Jetty Encyclo: Exploring Robert Smithson’s Earthwork Via
Time and Place. College of Utah Press, 2017.
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Appendix
Picture 1, under, exhibits a caption of Robert Smithson’s “Spiral Jetty” 1970.
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